Nikos Arvanitis / Barking Dogs United

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Nikos Arvanitis:

2011   Stones, Politics
         Every thing will begin, when every thing will end
         Limit of Control
         L.O.L.A.
2010   Promising Megaphones
         Zeitgeister
         Pergola
         Repos
2009   Stairway to Content (Sonatine Bureaueratique)
         Tonight Live!
2008   Re-locating The Thrills
         The Gabba Conspiracy
         Masters Of The Universe
2007   Gimmie Gimmie Gimmie
2006   Holy Joy
         Masochists From Above/More Skin For The Ceremony
2005   Distraction Set For An Aesthetic Destruction
         I Know I Donīt
         Mastering Pieces (Masters to pieces)
         Utopikator
         Lost at the Cutting Edge of Technology
         Arena Mobile
2004   Bus Journey
         Birds and Micros
         A_part
2003   Vanity Sessions
         Analog Days
2002   Sence Less Obvious
         Digital Love
         Converter Project
2001   Reflections
         Labyrinth
99-00  Horizons and Devil Cyrcles
99-03  m10 + n69
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Barking Dogs United:

2010   BDU: What We Want Is What You Want II
         BDU: FX
2009   BDU: Property Offer
         BDU: Human Dollz
2008   BDU: SIZE MATTERZ
         BDU: What We Want Is What You Want
2007   BDU: Bis Auf Weiteres...
2006   BDU: On A Spaceship With No Fuel And No Future
         BDU: Carwash
         BDU: iForgive / iForget
2005   BDU: The Wild Bunch

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PERGOLA
Iron construction, 275 x 215 x 295,5 cm, 2010.
2 drawings pencil on paper, each 40 x 50 cm, 2010.

“Legitimate Possession”, Group show. Kardamili, Mani, Greece.
August 08. - August 30. 2010

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The exhibition took place in an old pastry shop. During the 1980s the roof of the building was running, parallel to the pastry shop, as an open air cinema. The steel structure found on the roof functioned at that time as the skeleton of the projectors cabinet. Nikos Arvanitis reuses this existing steel structure and presents it as his own work. Entitles the structure PERGOLA and gives it a new utilitarian value. He measures the steel structure and draws the technical schemes necessary for its construction. In this way the artist reverses the process of production.

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