Nikos Arvanitis / Barking Dogs United

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Nikos Arvanitis:

2011   Stones, Politics
         Every thing will begin, when every thing will end
         Limit of Control
         L.O.L.A.
2010   Promising Megaphones
         Zeitgeister
         Pergola
         Repos
2009   Stairway to Content (Sonatine Bureaueratique)
         Tonight Live!
2008   Re-locating The Thrills
         The Gabba Conspiracy
         Masters Of The Universe
2007   Gimmie Gimmie Gimmie
2006   Holy Joy
         Masochists From Above/More Skin For The Ceremony
2005   Distraction Set For An Aesthetic Destruction
         I Know I Don´t
         Mastering Pieces (Masters to pieces)
         Utopikator
         Lost at the Cutting Edge of Technology
         Arena Mobile
2004   Bus Journey
         Birds and Micros
         A_part
2003   Vanity Sessions
         Analog Days
2002   Sence Less Obvious
         Digital Love
         Converter Project
2001   Reflections
         Labyrinth
99-00  Horizons and Devil Cyrcles
99-03  m10 + n69
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Barking Dogs United:

2010   BDU: What We Want Is What You Want II
         BDU: FX
2009   BDU: Property Offer
         BDU: Human Dollz
2008   BDU: SIZE MATTERZ
         BDU: What We Want Is What You Want
2007   BDU: Bis Auf Weiteres...
2006   BDU: On A Spaceship With No Fuel And No Future
         BDU: Carwash
         BDU: iForgive / iForget
2005   BDU: The Wild Bunch

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Barking Dogs United: FX
FX. Guitar effect pedals manipulated to personal preference effect devices, 2010.
FX (Part 2 and 3). Schemes, Light-boxes with digital prints, DIN A0, 2008.

„AN DAS GERÄT“, Group Show, Halle 14, Leipzig, Germany
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2.JPG

Effect pedals can be used to create incredible sound effects. For Barking Dogs United though, the combination of these transformation devices is not a collection of effect pedals for sound modulation. In a laboratory situation, they have modified the electro-mechanical structure of a series of such pedals, and designed a visionary machine. It is no longer the audio signals of a musical instrument with “Wah-Wah”, “Flanger”, “Delay”, “Noise-Gate”, or “Overdrive” effects, which can be manipulated. It is the mental, social, and physical characteristics of a person, his state of existence, its input, and output that could be modified with „Thinking booster“, „Brain Equalizer“, „Lust Station“ and „Mental Core“. Light boxes with schemes explain the principle. The prototype of the device is ready for testing. The visible inner life of the machine, with all its cables, LEDs, switches, and screws might be reminiscent of the inner life of the human brain. The artists understand the viewer‘s knowledge gaps about the complex functions of this electrical swarm as an offer to associate how fear would be inspiring or enjoyable while using such a machine. May the challenged information recipient agree with Marshall McLuhans’ (1911-1980) statement that „the medium is the message - an inventory of effects“ - which the media theorist illustrates with the example of a light bulb.

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