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Nikos Arvanitis:
2011 Stones, Politics
Every thing will begin, when every thing will end
Limit of Control
L.O.L.A.
2010 Promising Megaphones
Zeitgeister
Pergola
Repos
2009 Stairway to
Content (Sonatine Bureaueratique)
Tonight
Live!
2008
Re-locating
The Thrills
The Gabba
Conspiracy
Masters Of
The Universe
2007 Gimmie
Gimmie Gimmie
2006
Holy Joy
Masochists
From Above/More Skin For The Ceremony
2005
Distraction
Set For An Aesthetic Destruction
I
Know I Don´t
Mastering
Pieces (Masters to pieces)
Utopikator
Lost
at the Cutting Edge of Technology
Arena
Mobile
2004
Bus
Journey
Birds
and Micros
A_part
2003
Vanity
Sessions
Analog
Days
2002
Sence
Less Obvious
Digital
Love
Converter
Project
2001
Reflections
Labyrinth
99-00
Horizons
and Devil Cyrcles
99-03
m10
+ n69
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Barking
Dogs United:
2010
BDU:
What We Want Is What
You Want II
BDU: FX
2009
BDU:
Property Offer
BDU:
Human
Dollz
2008 BDU: SIZE
MATTERZ
BDU: What We Want Is What
You Want
2007 BDU: Bis
Auf Weiteres...
2006
BDU:
On A
Spaceship With No Fuel And No Future
BDU: Carwash
BDU:
iForgive / iForget
2005
BDU:
The Wild Bunch
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Barking Dogs United: FX
FX. Guitar effect pedals manipulated to personal preference effect devices, 2010.
FX (Part 2 and 3). Schemes, Light-boxes with digital prints, DIN A0, 2008.
„AN DAS GERÄT“, Group Show, Halle 14, Leipzig, Germany.

Effect
pedals can be used to create incredible sound effects. For Barking Dogs
United though, the combination of these transformation devices is not a
collection of effect pedals for sound modulation. In a laboratory
situation, they have modified the electro-mechanical structure of a
series of such pedals, and designed a visionary machine. It is no
longer the audio signals of a musical instrument with “Wah-Wah”,
“Flanger”, “Delay”, “Noise-Gate”, or “Overdrive” effects, which can be
manipulated. It is the mental, social, and physical characteristics of
a person, his state of existence, its input, and output that could be
modified with „Thinking booster“, „Brain Equalizer“, „Lust Station“ and
„Mental Core“. Light boxes with schemes explain the principle. The
prototype of the device is ready for testing. The visible inner life of
the machine, with all its cables, LEDs, switches, and screws might be
reminiscent of the inner life of the human brain. The artists
understand the viewer‘s knowledge gaps about the complex functions of
this electrical swarm as an offer to associate how fear would be
inspiring or enjoyable while using such a machine. May the challenged
information recipient agree with Marshall McLuhans’ (1911-1980)
statement that „the medium is the message - an inventory of effects“ -
which the media theorist illustrates with the example of a light bulb.
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