Nikos Arvanitis / Barking Dogs United

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Nikos Arvanitis:

2011   Stones, Politics
         Every thing will begin, when every thing will end
         Limit of Control
         L.O.L.A.
2010   Promising Megaphones
         Zeitgeister
         Pergola
         Repos
2009   Stairway to Content (Sonatine Bureaueratique)
         Tonight Live!
2008   Re-locating The Thrills
         The Gabba Conspiracy
         Masters Of The Universe
2007   Gimmie Gimmie Gimmie
2006   Holy Joy
         Masochists From Above/More Skin For The Ceremony
2005   Distraction Set For An Aesthetic Destruction
         I Know I Donīt
         Mastering Pieces (Masters to pieces)
         Utopikator
         Lost at the Cutting Edge of Technology
         Arena Mobile
2004   Bus Journey
         Birds and Micros
         A_part
2003   Vanity Sessions
         Analog Days
2002   Sence Less Obvious
         Digital Love
         Converter Project
2001   Reflections
         Labyrinth
99-00  Horizons and Devil Cyrcles
99-03  m10 + n69
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Barking Dogs United:

2010   BDU: What We Want Is What You Want II
         BDU: FX
2009   BDU: Property Offer
         BDU: Human Dollz
2008   BDU: SIZE MATTERZ
         BDU: What We Want Is What You Want
2007   BDU: Bis Auf Weiteres...
2006   BDU: On A Spaceship With No Fuel And No Future
         BDU: Carwash
         BDU: iForgive / iForget
2005   BDU: The Wild Bunch

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BDU: What We Want Is What You Want
Solo Exhibition, 15.05.08 - 28.06.08, Schalter, Berlin, Germany.

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For what we want is what you want, Barking Dogs United have replaced the floor of Schalter with one made up entirely of skateboards. All the boards remain functional, complete with grip tape, trucks, and wheels, creating an unstable and ever-shifting ground to stand on. Quite literally, the boards give and roll slightly with viewers as they move through the space, inviting a physical sense of insecurity to enter the work.


Barking Dogs United's work is often trained on questions about art's role and function in contemporary culture. Do we view the artist as a social activist dedicated to articulating society's ills, or an entertainer? What relationship does the artist have to the art market, galleries and audience? Who can or should we answer to, and to what end? Salmon and Arvanitis locate their work in the shuffle between order and chaos, self-promotion and humility, individual prerogative and global responsibility. And, as the exhibition title suggests, the work invites us to have it both ways, without offering an explicit answer or question.

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All content copyright 2008 Nikos Arvanitis + Naomi Tereza Salmon - all rights reserved