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Nikos Arvanitis:
2009 Stairway to
Content (Sonatine Bureaueratique)
Tonight
Live! 2008 Re-locating
The Thrills The Gabba
Conspiracy
Masters Of
The Universe 2007 Gimmie
Gimmie Gimmie 2006 Holy Joy Masochists
From Above/More Skin For The Ceremony 2005 Distraction
Set For An Aesthetic Destruction I
Know I Donīt
Mastering
Pieces (Masters to pieces)
Utopikator
Lost
at the Cutting Edge of Technology Arena
Mobile 2004 Bus
Journey Birds
and Micros
A_part
2003 Vanity
Sessions
Analog
Days
2002 Sence
Less Obvious
Digital
Love
Converter
Project
2001 Reflections
Labyrinth
99-00 Horizons
and Devil Cyrcles
99-03 m10
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Barking
Dogs United:
2009
BDU:
Property Offer
BDU:
Human
Dollz
2008 BDU: SIZE
MATTERZ
BDU: What We Want Is What
You Want
2007 BDU: Bis
Auf Weiteres...
2006
BDU:
On A
Spaceship With No Fuel And No Future
BDU: Carwash
BDU:
iForgive / iForget
2005
BDU:
The Wild Bunch
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I
Know I Donīt
pencil on half transparent paper, (2x) 21x 28 cm
and audio track, 2005.

I know I
don't (2005) uses a fragment
from the song "Anarchy in the UK" by the Sex Pistols,
recorded at the end of the 70ies. A new sentence is created resulting
in the mirrored opposite of the first one. With this work the artist
refers to the social and political circumstances that influenced the
band to create this song in the past and looks out for the new
existential problems which the individual faces nowadays.
The
first version of this piece has
pencil on half transparent paper, (21x 28 cm) and was originally
commissioned by and published as a doublepage in GAP magazine, issue
4, by Futura Editions, July 2005, Athens, Greece.
Taken
into an exhibition space the
elicited notion of time - past, present and future - expands to
become a spatial element. It manifests and simultaneously erases the
wall dividing the two rooms. Ways to think the 'old' and 'new' are
simply conceptions attempting to imagine the flow of time, just as
listening is to imagine the flow of sonic events.
By
Jens Maier-Rothe, curator, on the
occasion of the „Floteson: Sonic sources, courses and
rearrangements“ group show at KHM Gallery, Malmö, Sweden, 2008.
Exhibition
view „Floteson: Sonic sources, courses and
rearrangements“ group show at KHM Gallery,2008.
Apart of
the drawing Nikos Arvanitis is taking the same audio fragment from the
original recording and changes the order in which the words (lyrics)
are being pronounced within this fragment and creates a new sentence
with the opposite meaning of the original one. This new sample
(sentence) is being played in a loop mode. The original sample
(sentence) is appearing just once within the entire mix, exactly at the
middle of it, to mark the difference between the original and new
sample.
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