Nikos Arvanitis / Barking Dogs United

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Nikos Arvanitis:

2011   Stones, Politics
         Every thing will begin, when every thing will end
         Limit of Control
         L.O.L.A.
2010   Promising Megaphones
         Zeitgeister
         Pergola
         Repos
2009   Stairway to Content (Sonatine Bureaueratique)
         Tonight Live!
2008   Re-locating The Thrills
         The Gabba Conspiracy
         Masters Of The Universe
2007   Gimmie Gimmie Gimmie
2006   Holy Joy
         Masochists From Above/More Skin For The Ceremony
2005   Distraction Set For An Aesthetic Destruction
         I Know I Donīt
         Mastering Pieces (Masters to pieces)
         Utopikator
         Lost at the Cutting Edge of Technology
         Arena Mobile
2004   Bus Journey
         Birds and Micros
         A_part
2003   Vanity Sessions
         Analog Days
2002   Sence Less Obvious
         Digital Love
         Converter Project
2001   Reflections
         Labyrinth
99-00  Horizons and Devil Cyrcles
99-03  m10 + n69
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Barking Dogs United:

2010   BDU: What We Want Is What You Want II
         BDU: FX
2009   BDU: Property Offer
         BDU: Human Dollz
2008   BDU: SIZE MATTERZ
         BDU: What We Want Is What You Want
2007   BDU: Bis Auf Weiteres...
2006   BDU: On A Spaceship With No Fuel And No Future
         BDU: Carwash
         BDU: iForgive / iForget
2005   BDU: The Wild Bunch

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I Know I Donīt
pencil on half transparent paper, (2x) 21x 28 cm and audio track, 2005.

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I know I don't (2005) uses a fragment from the song "Anarchy in the UK" by the Sex Pistols, recorded at the end of the 70ies. A new sentence is created resulting in the mirrored opposite of the first one. With this work the artist refers to the social and political circumstances that influenced the band to create this song in the past and looks out for the new existential problems which the individual faces nowadays.

The first version of this piece has pencil on half transparent paper, (21x 28 cm) and was originally commissioned by and published as a doublepage in GAP magazine, issue 4, by Futura Editions, July 2005, Athens, Greece.

Taken into an exhibition space the elicited notion of time - past, present and future - expands to become a spatial element. It manifests and simultaneously erases the wall dividing the two rooms. Ways to think the 'old' and 'new' are simply conceptions attempting to imagine the flow of time, just as listening is to imagine the flow of sonic events.

By Jens Maier-Rothe, curator, on the occasion of the „Floteson: Sonic sources, courses and rearrangements“ group show at KHM Gallery, Malmö, Sweden, 2008.

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Exhibition view „Floteson: Sonic sources, courses and rearrangements“ group show at KHM Gallery,2008.



Apart of the drawing Nikos Arvanitis is taking the same audio fragment from the original recording and changes the order in which the words (lyrics) are being pronounced within this fragment and creates a new sentence with the opposite meaning of the original one. This new sample (sentence) is being played in a loop mode. The original sample (sentence) is appearing just once within the entire mix, exactly at the middle of it, to mark the difference between the original and new sample.

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