Nikos Arvanitis / Barking Dogs United

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Nikos Arvanitis:

2011   Stones, Politics
         Every thing will begin, when every thing will end
         Limit of Control
         L.O.L.A.
2010   Promising Megaphones
         Zeitgeister
         Pergola
         Repos
2009   Stairway to Content (Sonatine Bureaueratique)
         Tonight Live!
2008   Re-locating The Thrills
         The Gabba Conspiracy
         Masters Of The Universe
2007   Gimmie Gimmie Gimmie
2006   Holy Joy
         Masochists From Above/More Skin For The Ceremony
2005   Distraction Set For An Aesthetic Destruction
         I Know I Donīt
         Mastering Pieces (Masters to pieces)
         Utopikator
         Lost at the Cutting Edge of Technology
         Arena Mobile
2004   Bus Journey
         Birds and Micros
         A_part
2003   Vanity Sessions
         Analog Days
2002   Sence Less Obvious
         Digital Love
         Converter Project
2001   Reflections
         Labyrinth
99-00  Horizons and Devil Cyrcles
99-03  m10 + n69
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Barking Dogs United:

2010   BDU: What We Want Is What You Want II
         BDU: FX
2009   BDU: Property Offer
         BDU: Human Dollz
2008   BDU: SIZE MATTERZ
         BDU: What We Want Is What You Want
2007   BDU: Bis Auf Weiteres...
2006   BDU: On A Spaceship With No Fuel And No Future
         BDU: Carwash
         BDU: iForgive / iForget
2005   BDU: The Wild Bunch

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Distraction Set For An Aesthetic Destruction
Audio CD and Sound Installation, 2005.
Reduced Entertainment
Light box, 125x 12,5x 12,5 cm, 2005


1.JPG

Nikos Arvanitis collected music from the so-called pop culture, which was produced within the last 4 decades.
He edited the songs and created autonomous samples out of each song. Each sample is cut in a way that can be played as a loop. In Track 1 "First Attempt" and Track 3 "Second Attempt", he pasted these samples randomly one after the other in three audio stereo channel. The first channel is panned at the left side of the stereophonic system the second at the middle and the third at the right side.
The samples are played back by following their own autonomous tempo synchronization. When the entire loop is played, the next one is following.
In Track 2 "Quantized Attempt" he placed the samples in one stereo channel one after the other. This time, each sample is not following its own tempo but it is synchronized (quantized) to the tempo of the entire mix.
Each sample is played only for a specified and tempo synchronized period of time and then the next sample follows.

Within this process Nikos Arvanitis attempts to destruct his aesthetic perception in order to understand it and simultaneously, to distract his aesthetic knowledge in order to evaluate it. (26 years of living and 4 decades of music within 15 minutes.)

Audio tracks: 01. First Attempt, 02. Quantized Attempt, 03. Second Attempt

2.JPG
3.jpg
4.JPG
Exhibition view. "Engage", group exhibition curated by Polyna Kosmadaki, Gazon Rouge Gallery, Athens, Greece, 2006.


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