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Nikos Arvanitis:
2011 Stones, Politics
Every thing will begin, when every thing will end
Limit of Control
L.O.L.A.
2010 Promising Megaphones
Zeitgeister
Pergola
Repos
2009 Stairway to
Content (Sonatine Bureaueratique)
Tonight
Live! 2008 Re-locating
The Thrills The Gabba
Conspiracy
Masters Of
The Universe 2007 Gimmie
Gimmie Gimmie 2006 Holy Joy Masochists
From Above/More Skin For The Ceremony 2005 Distraction
Set For An Aesthetic Destruction I
Know I Donīt
Mastering
Pieces (Masters to pieces)
Utopikator
Lost
at the Cutting Edge of Technology Arena
Mobile 2004 Bus
Journey Birds
and Micros
A_part
2003 Vanity
Sessions
Analog
Days
2002 Sence
Less Obvious
Digital
Love
Converter
Project
2001 Reflections
Labyrinth
99-00 Horizons
and Devil Cyrcles
99-03 m10
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Barking
Dogs United:
2010 BDU:
What We Want Is What You Want II
BDU: FX
2009
BDU:
Property Offer
BDU:
Human
Dollz
2008 BDU: SIZE
MATTERZ
BDU: What We Want Is What
You Want
2007 BDU: Bis
Auf Weiteres...
2006
BDU:
On A
Spaceship With No Fuel And No Future
BDU: Carwash
BDU:
iForgive / iForget
2005
BDU:
The Wild Bunch
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Distraction
Set For An Aesthetic Destruction
Audio CD and Sound Installation, 2005. Reduced Entertainment Light box, 125x 12,5x 12,5 cm, 2005
 Nikos Arvanitis collected music from the so-called pop culture, which was produced within the last 4 decades. He edited the songs and created autonomous samples out of each song. Each sample is cut in a way that can be played as a loop. In
Track 1 "First Attempt" and Track 3 "Second Attempt", he pasted these
samples randomly one after the other in three audio stereo channel. The
first channel is panned at the left side of the stereophonic system the
second at the middle and the third at the right side. The samples are played back by following their own autonomous tempo synchronization. When the entire loop is played, the next one is following. In Track 2 "Quantized Attempt" he placed the samples in one stereo channel one after the other. This time, each sample is not following its own tempo but it is synchronized (quantized) to the tempo of the entire mix. Each sample is played only for a specified and tempo synchronized period of time and then the next sample follows. Within
this process Nikos Arvanitis attempts to destruct his aesthetic
perception in order to understand it and simultaneously, to distract
his aesthetic knowledge in order to evaluate it. (26 years of living and 4 decades of music within 15 minutes.)
Audio tracks: 01. First Attempt, 02. Quantized Attempt, 03. Second Attempt



Exhibition view. "Engage", group exhibition curated by Polyna Kosmadaki, Gazon Rouge Gallery, Athens, Greece, 2006.
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